Je combats Mark Evan Bonds.le 14 Jenvier 2017.

Je combats Mark Evan Bonds .le 13 Janvier 2017.

A-1
Mark Evan Bonds 2016.”Absolute Music” Oxford University Press.

le 13 janvier 2017
Part I Essense as Effect:To 1550 pp.17~
Chapter1 Orpheus and Pythagoras pp.18~

http://www1.odn.ne.jp/~chp93100/bonds_17.txt

le 14 jenvier 2017.pp.30-34

Chapter2 Isomorphic Resonance pp.30~
http://www1.odn.ne.jp/~chp93100/bonds_30.txt

A-2.
Mark,Evan.Bonds.2015.”Absolute Music”.Oxford University Press.
Part II Essence and Effect:1550-1850.

Je ai fini traduits ”expression” le 22 Janvier 2017…
Expression pp.39-78
http://www1.odn.ne.jp/~chp93100/bonds_39.txt

Beauty pp.79-80
http://www1.odn.ne.jp/~chp93100/bonds_79.txt

Je ai fini truduire ce “Form”.

Form pp.90~102
http://www1.odn.ne.jp/~chp93100/bonds_90.txt

A-3.
Mark Evan Bonds 2016.”Absolute Music” Oxford University Press.
Part 2 Essense as Effect:From 1550 To 1580
Chapter 6 Autonomy pp.103~
http://www1.odn.ne.jp/~chp93100/bonds_103.txt

Chapter 7 Disclosiveness pp.112~
http://www1.odn.ne.jp/~chp93100/bonds_112.txt

A-4
Mark Evan Bonds 2016.”Absolute Music” Oxford University Press.
Part 3 Essense or Effect:From 1850 To 1945
Chapter 8 Wagner’s Absolute Music pp.129~
http://www1.odn.ne.jp/~chp93100/bonds_129.txt

Chapter 9 Hanslick’s Pure Music
◆Hanslick the radical pp.173~
◆Hanslick the ambivalent pp.183~
http://www1.odn.ne.jp/~chp93100/bonds_173.txt もっと見る

 

Je combats Mark Evan Bonds.le 3 Janvier.2017.

1.
Mark,Evan.Bonds.2015.”Absolute Music”.Oxford University Press.
Part II Essence and Effect:1550-1850
Expression pp.39-42
http://www1.odn.ne.jp/~chp93100/bonds_39.txt
Beauty pp.79-80
http://www1.odn.ne.jp/~chp93100/bonds_79.txt

2.
Mark Evan Bonds 2016.”Absolute Music” Oxford University Press.
Part I Essense as Effect:To 1550 pp.17~
Chapter1 Orpheus and Pythagoras pp.18~
Chapter2 Isomorphic Resonance pp.30~

3.
Mark Evan Bonds 2016.”Absolute Music” Oxford University Press.
Part 2 Essense as Effect:From 1550 To 1580
Chapter 6 Autonomy pp.163
Chapter 7 Disclosiveness pp.112

4.
Chapter 9 Hanslick’s pure music
Hanslick the radical pp.179
http://www1.odn.ne.jp/~chp93100/bonds_173.txt
Hanslick’s the Ambivalent
pp.183-209

Je ai fini traduire Janet Schmalfeldt.le 5 Decembre 2016.
Janet,Schmalfeldt.2011.”In the process of becoming”. Oxford University Press.
Chapter 4 “Beethoven’s bridgetower sonata” pp.87~
http://www1.odn.ne.jp/~chp93100/schmalfeldt_87.txt
Chapter 1 “Introduction:The idea of musical form as process” pp.3-22
Chapter 5 “On performance,analysis,and Schubert” pp.113-132
Chapter 7 Mendelssohn the “Mozartean” pp.159-194
Je obeis Professor Barry Cooper,et combats Simon P.Keefe pour “obtenir un grade et rechercer beacon” a uiversite de Manchester.
Je remercie lui.
le 4 Decembre 2016.

A.Richard,Will.2002.”The Characteristic Symphony in the Age of Haydn amd Mozart”.Cambridge University Press,
Chapter 1 “Paradies lost”:Dittersdorf’s Four Ages of the World and the crisis of Austrian enlightened despotism” pp.29
Chapter 2 “Haydn’s seven last words” pp.83

B.Simon P.Keefe.2001.”Mozart’s piano concertos :Dramatic dialogue in the age of Enlightenment” The Boydell Press:Woodbridge.
★Part 2:Style Chapter 5 From Opera to Concerto to Opera(1780-1787) pp.101-141
★Part 2:Style Chapter 6 Dialogue and Drama in Mozart’s Three-Movement Concerto Cycles pp.147-187
★Part 1:Theories and Concexts Chapter 1.Heinrich Christoph Koch’s Commentary on the Late-Eighteenth-Century Concerto pp.9-21
★Part 1:Theories and Concexts Chapter 2 Antoine Reicha’s Dialogue pp.24-44

C.
Scott.Burnham.1995.”Beethoven Hero”.Princeton University Press.Princeton.New Jersey.
Chapter 2 “Musical values:Presence and Engagement in the Heroic Style” pp.29~65
Chapter 3 “Institutional values:Beethoven and the Theorists”pp.66-111.