Je combats Rothstein et Talbot.

A.
★William,Rothstein.1991.”Phrase Rhythm in Tonal Music”.Schirmer Books:London.
le 12 Novembre 2016.
Chapter 8 Wagner:From Opera to Music Drama
pp.249~295,278~280,288
http://www1.odn.ne.jp/~chp93100/rothstein_288.txt
●Period Structure in Wagner:An Overview
★Michael,Talbot.2001.”The finale in the western instrumental music”.Oxford University Press.
Chapber 2″The idea of the movement”pp.16-35
Chapter 3 “The idea of the finale” pp..36-42
http://www1.odn.ne.jp/~chp93100/talbot_36.txt


B.
William,Rothstein.1991.”Phrase Rhythm in Tonal Music”.Schirmer Books:London.
Chapter 5 Haydn:Sonata,Quartet,and Symphony
pp.125-182
Chapter 7 Chopin’s Nocturne,Mazurka,Etude.
pp.214~248
★Michael,Talbot.2001.”The finale in the western instrumental music”.Oxford University Press.
Chapter 8 “Patterns of Development”
pp.140~181
Chapter 9 “Coda and finale”
pp.182~196

Je combats William Rothstein.le 9 Novembre 2016

Je combats William Rothstein.le 4 Novembre 2016.

A.
William,Rothstein.1991.”Phrase Rhythm in Tonal Music”.Schirmer Books:London.

le 12 Novembre 2016.
Chapter 8 Wagner:From Opera to Music Drama
pp.249~250,278~280,288
http://www1.odn.ne.jp/~chp93100/rothstein_288.txt

●Period Structure in Wagner:An Overview

★Michael,Talbot.2001.”The finale in the western instrumental music”.Oxford University Press.
Chapber 2″The idea of the movement”pp.16-35

Chapter 3 “The idea of the finale” pp..36-42
http://www1.odn.ne.jp/~chp93100/talbot_36.txt

B.
William,Rothstein.1991.”Phrase Rhythm in Tonal Music”.Schirmer Books:London.
Chapter 7 Chopin’s Nocturne,Mazurka,Etude.
pp.214~248

★Michael,Talbot.2001.”The finale in the western instrumental music”.Oxford University Press.
Chapter 8 “Patterns of Development”
pp.140~181

Chapter 9 “Coda and finale”
pp.182~196

C.
William,Rothstein.1991.”Phrase Rhythm in Tonal Music”.Schirmer Books:London.
Chapter 5 Haydn:Sonata,Quartet,and Symphony
pp.125-182

★Webster,James.1991.”Haydn’s farewell symphony and classical style”.Cambridge University..”Part 2 Cyclic organization in Haydn’s Instrumental Music”Chapter 6 “Individual works”
pp.250-334

★Charles.Fisk.2001.”Returning Cycles:Contexts for the Interpretation of Schuberts’s Impromptus and Last Sonatas.Berkeley:University of California Press”
Chapter 6 “Displacing sonata ” 「ソナタを置き換える」 pp.141-179
http://www1.odn.ne.jp/~chp93100/fisk_141.txt

Chapter 7 “Beethoven in the Image of Schubert” 「シューベルトのイメージの中のベートーヴェン」 pp.180-203
http://www1.odn.ne.jp/~chp93100/fisk_180.txt

D.
★Richard,Will.2002.”The Characteristic Symphony in the Age of Haydn ad Beethoven”.Cambridge University Press.
Chapter 4 Paradise regained:time,morality,and humanity in Beethoven’s Pastoral Symphony

★.Lockwood,Lewis.1998.”Beethoven’s Emergence from crisis:the cello sonatas of Op.102(1815)”.The journal of Musicology XVI-3

★Joel,Galand.2008.”Some Eighteenth Century Ritorrnello Script and their Nineteenth Century Revival” Music Theory Spectrum.
http://www1.odn.ne.jp/~chp93100/galand_2008.txt

★Richard,Will.2002.”The Characteristic Symphony in the Age of Haydn ad Beethoven”.Cambridge University Press.
Chapter 3 The boundaries of the art:characteristic music in contemporary criticism and aesthetics pp.129-155 もっと見る

Je combats Talbot.

★Michael,Talbot.”The finale in the western instrumental music”.2001

A.Chapber 2″The idea of the movement”pp.16-35

Chapter 3 “The idea of the finale” pp..36-42
http://www1.odn.ne.jp/~chp93100/talbot_36.txt

Chapter 8 “Patterns of Development”
pp.140~181

Chapter 9 “Coda and finale”
pp.182~196

B.

Chapber 4″Relaxamt finale”
pp.16-35

Chapter 7 “Hybrid Solution”
pp.127~139