Je combats Michael Talbot.le 30 Octobre 2016.

Je combats Michael Talbot.le 3o Octobre 2016.
 ★Michael,Talbot.”The finale in the western instrumental music”.2001
Chapber 2″The idea of the movement”pp.16-35

Chapter 3 “The idea of the finale” pp..36-42
http://www1.odn.ne.jp/~chp93100/talbot_36.txt

Chapter 4 “Relaxant Finale”
pp.52-80

★Richard,Will.2002.”The Characteristic Symphony in the Age of Haydn ad Beethoven”.Cambridge University Press.

Chapter 4 Paradise regained:time,morality,and humanity in Beethoven’s Pastoral Symphony

Je combats Talbot,Will,Fisk,Galand,le 27 Octobre 2016.

★Joel,Galand.2008.”Some Eighteenth Century Ritorrnello Script and their Nineteenth Century Revival” Music Theory Spectrum.
http://www1.odn.ne.jp/~chp93100/galand_2008.txt

★Erwin Ratz,1973.”Einfuehrung in die musikalische formenlehre” .Universal:Wien.

Kapitel 2 Zweistimmige Invention von J.S.Bach
pp.57-59 c moll
pp.73-78 f moll B dur
Kapitel 4 Dreistimmige Invention von J.S.Bach
pp.116-128 D dur e moll F dur
pp.130-135 g moll
pp.137-134 B dur

B
★Webster,James.1991.”Haydn’s farewell symphony and classical style”.Cambridge University..”Part 2 Cyclic organization in Haydn’s Instrumental Music”Chapter 6 “Individual works” pp.250-
pp.294-295

★Michael,Talbot.2001. “The Finale in Western Instrumental Music New:York:Oxford University Press”
Chapter 4 Idea of Finale pp.16-35

★Richard,Will.2002.”The Characteristic Symphony in the Age of Haydn ad Beethoven”.Cambridge University Press.

Chapter 3 The boundaries of the art:characteristic music in contemporary criticism and aesthetics pp.129-155
Chapter 4 Paradise regained:time,morality,and humanity in Beethoven’s Pastoral Symphony

C.★Steven,vande Moortele.2009.”Two-Dmensional Sonata Form:Form and Cycle in Single-Movement Instrumental Works by Liszt, Strauss, Schoenberg, and Zemlinsky”.Leuvan University Press
Chapter2 Liszt’s B-minor Sonata
6 juin 2016
pp.35_39
http://www1.odn.ne.jp/~chp93100/moortele_35.txt

★Mark.Evan.Bonds,.2014″Absolute Music” Oxford University Press.
27 juin 2016
Part III
Chapter 8 “Wagner’s absolute music” pp.129-133
http://www1.odn.ne.jp/~chp93100/bonds_129.txt

D.
★Charles.Fisk.2001.”Returning Cycles:Contexts for the Interpretation of Schuberts’s Impromptus and Last Sonatas.Berkeley:University of California Press”
Chapter 6 “Displacing sonata ” 「ソナタを置き換える」 pp.141-179
http://www1.odn.ne.jp/~chp93100/fisk_141.txt
Chapter 7 “Beethoven in the Image of Schubert” 「シューベルトのイメージの中のベートーヴェン」 pp.180-203
http://www1.odn.ne.jp/~chp93100/fisk_180.txt

E ★クリスチャン ラフ 2010年「ウィーン古典派の器楽音楽における”テンポ ディ メヌエット”の楽章について」 Mozart Studien。
★Richard,Kramer.”Unfisnished Music”.Oxford:Oxford University Press,2008.
第5部
第13章 断片の認識論を超えて -シューベルトの断片
pp.311~314
http://www1.odn.ne.jp/~chp93100/kramer_311.txt

★.Lockwood,Lewis.1998.”Beethoven’s Emergence from crisis:the cello sonatas of Op.102(1815)”.The journal of Musicology XVI-3

★Andren Lindmayr-Brandl,2000.”Die wiederentdeckte unvollendete Sonate in E D.459 und die fuenf Klavierstuecke von Franz Schubert” Archiv fuer Musikwissenschaft.

★Johan Gingerich,2007.”Unfinished Considerations:Schubert’s Unfinished Symphony in the Context of His Beethoven Project”.19th Century Music.
★Seidel,Wilhelm.”Die altere Ziklustehorie,ueberdacht im Blick auf Beethovens Werk” In Beitrage zu Beethovens Kammermusil:Symposion Bonn 1984 ed.Sieghard Brandenburg and Helmut LoosVeroffentlichungen des Beethovenshauses in Bonn,Neue Folge,4 Reihe;Schfiften zur Beethovenforschung 4.273-82.Munich:Henle.,1987
F.Michael.Talbot.2001″The finale in the western instrumental music”
Chapter 4 The Relaxant Finale pp.52-80
Chapter 5 The Summative Finale pp.81-105
Chapter 6 The Valedictory Finale pp.106-126 もっと見る

Je combats Mark Evan Bonds,en priorite,le 20 October 2016.

Je ai fini traduit ce document.le 27 Octobre 2016.

Le 27 Octobre 2016
★Mark.Evan.Bonds,.2014″Absolute Music” Oxford University Press.
Part III
Chapter 8 “Wagner’s absolute music” pp.129-140
http://www1.odn.ne.jp/~chp93100/bonds_129.txt

Je ai fini traduit ce document.le 25 Octobre 2016.

★Steven,vande Moortele.2009.”Two-Dmensional Sonata Form:Form and Cycle in Single-Movement Instrumental Works by Liszt, Strauss, Schoenberg, and Zemlinsky”.Leuvan University Press
Chapter2 Liszt’s B-minor Sonata
pp.35_50
http://www1.odn.ne.jp/~chp93100/moortele_35.txt

Je ai combattu Janet Schmalfeldt.le 7 septembre 2016.

Je ai combattu Janet Schmalfeldt.le 7 septembre 2016.

★Janet.Schmalfelt.2011.”The process in the becoming” Oxford University Press.

Chapter VIII “Chopin’s ascending third progression”
★★★Je ai fini traduire le 8 capitre le 8 septembre 2016.
pp.195-226
http://www1.odn.ne.jp/~chp93100/schmalfeldt_195.txt

★★★Je ai fini traduire le 4 capitre le 18 septembre 2016.le 8 septembre 2016
pp.87-112
Chapter IV “Beethoven’s bridgetower sonata op.47
http://www1.odn.ne.jp/~chp93100/schmalfeldt_87.txt

Je combats Erwin Ratz(2)

A-1
★Erwin,Ratz.”Einfuehrung in die Musikalische Formenlehre”.1973.Universal:Wien.
3 Kapital J.S.Bachs Welltemperierd Klavier Vol,I
C dur,c moll Fis dur,
Vol.II d moll b moll
pp.87~104

4 Kapital Beethovens Klaviersonaten Op.57
pp.156~159

5 Kapital Streichquartets Beethovens
Op.59-1,Op.95
pp.181-201
(40p)

A-2
5.Beethovens Steichquartett Op.132
pp.201~209
6.Hammerklaviersonate Op.106
le 11 Octobre 2016.
http://www1.odn.ne.jp/~chp93100/ratz_236.txt
pp.213-253
(49p)

A-3
4 Kapital Beethovens Klaviersonaten
Op.2-3,Op.10-1,Op.31-1 Op.31-2
pp.145-155

Op.126
pp.170-178
(18p)